Interviews | Reviews | Testimonial | Videos

INTERVIEWS:

2019-01-09 @ A Sound Effect (MAKE THE MOST OF NUENDO AS A SOUND DESIGN TOOL – AN IN-DEPTH GUIDE)

2018-11-09 @ Zapsplat

2018-07 @ Sound Recording (Print & Online)

2016-08 @ Pro Tools Expert

2016-07 @ VDT Magazin

2016-05 @ Sound

2016-05-04 @ Benztown Branding

2016-02-10 @ The Audio Spotlight

2016-01-14 @ SAE Magazine

2015-10-26 @ Gore Sound Effects Blog @ A Sound Effect

2015 @ Synthmob

2014-11-14 @ Pro Sound Effects

2014-11-06 @ A Sound Effect

2012-08 @ Pro Sound Effects


REVIEWS:

“Tiny Transitions @344 Audio”

“Whooshes & Impacts 2 @344 Audio”

“Cinematic Hits & Transitions”

Do you want to write a testimonial about or review any SoundBits | Sound Effects Library? Please get in touch here


TESTIMONIALS:

Samuel Justice
“Saro’s recordings continue to astound me, his blacksmith library is one of the most malleable metal libraries I’ve used, full of great tones and powerful sounds. You can’t go wrong!”

Samuel Justice worked on titles such as “Battlefield 1” (Cinematic Audio Design), Injustice 2, DOOM and many more

Samuel Justice on IMDb
www.SweetJusticeSound.com


David Barbee
“If you’re in need of sound design material with an electronic edge, the Whooshes & Impacts are an excellent choice.  I’ve used the Whooshes and Impacts bundle for my TV series “Scorpion.”  It’s great material for use in video games too. ”

David Barbee worked ( with Warner Bros. Studios, TODD Soundelux and Sony Pictures Entertainment) as Sound Effects Editor on: “Star Trek”, “Number 23”, “CSI: NY”, “Angel”, and many more.

David Barbee on IMDb


Jon Lipman (Sony Pictures)

“Soundbits to the rescue again…I had approximately one rollercoaster track for Shaun’s visit to the amusement park. Leave it to Saro to have a crisp clean library of rollercoaster passes!”
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“Fantastic libraries of sci-fi sonic goodness that I’ve been using for a few years now and they never fail to impress (especially layered) – now that Saro is also doing more conventional libraries with his ambiences and foley sets, the collection has become really well rounded and I rarely cut a show that doesn’t dip into my SoundBits arsenal!”
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“A great palette especially for the sci-fi realm. The whooshes and impacts are an especially welcome addition to my library. I like layering then processing them further to get really beefy unique sounds . Good stuff Soundbits!” Jon Lipman worked as Sound Effects- and Foley-Editor on movies like “Ghostrider: Spirit of Vengeance” and “Big Mike” and TV Series like “Justified” and “How to live with your Parents …”

VIDEOS:

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